BEGIN:VCALENDAR VERSION:2.0 PRODID:-//BIG ARTS of Sanibel - ECPv6.2.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:BIG ARTS of Sanibel X-ORIGINAL-URL:https://bigarts.org X-WR-CALDESC:Events for BIG ARTS of Sanibel REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20260409T160000 DTEND;TZID=America/New_York:20260409T180000 DTSTAMP:20260709T113716 CREATED:20250620T131653Z LAST-MODIFIED:20260213T142835Z UID:10000591-1775750400-1775757600@bigarts.org SUMMARY:April Wine & Raku Mixer DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/april-wine-raku-mixer/ CATEGORIES:Pottery,Wine & Art MIXERS ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Raku-Mixers-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260403 DTEND;VALUE=DATE:20260418 DTSTAMP:20260709T113716 CREATED:20250630T175737Z LAST-MODIFIED:20260213T143639Z UID:10000654-1775174400-1776470399@bigarts.org SUMMARY:Ceramics Open Studio - April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/ceramics-open-studio-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Open-Studios.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260402 DTEND;VALUE=DATE:20260424 DTSTAMP:20260709T113716 CREATED:20250701T182120Z LAST-MODIFIED:20260213T143623Z UID:10000675-1775088000-1776988799@bigarts.org SUMMARY:INTERMEDIATE & ADVANCED POTTERY - thursdays\, april DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/intermediate-advanced-pottery-thursdays-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Tetmyer-NEW.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260402 DTEND;VALUE=DATE:20260417 DTSTAMP:20260709T113716 CREATED:20260310T114908Z LAST-MODIFIED:20260316T145102Z UID:10000749-1775088000-1776383999@bigarts.org SUMMARY:Exploring Watercolor Painting - April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/exploring-watercolor-painting-april/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Krchmar-FEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260401 DTEND;VALUE=DATE:20260423 DTSTAMP:20260709T113716 CREATED:20250701T180549Z LAST-MODIFIED:20260330T120732Z UID:10000672-1775001600-1776902399@bigarts.org SUMMARY:INTERMEDIATE & ADVANCED POTTERY - wednesdays\, april DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/intermediate-advanced-pottery-wednesdays-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Wednesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260401 DTEND;VALUE=DATE:20260423 DTSTAMP:20260709T113716 CREATED:20250623T151240Z LAST-MODIFIED:20260213T142817Z UID:10000606-1775001600-1776902399@bigarts.org SUMMARY:Glass Fused Art - Wed\, April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/glass-fusing-april/ CATEGORIES:Glass Fusing ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Kaiser-April.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260331 DTEND;VALUE=DATE:20260422 DTSTAMP:20260709T113716 CREATED:20250701T174745Z LAST-MODIFIED:20260113T130111Z UID:10000669-1774915200-1776815999@bigarts.org SUMMARY:BEGINNING HAND-BUILDING 101 - March\, Tuesdays DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/handbuilding-101-tuesdays-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Tuesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260331 DTEND;VALUE=DATE:20260422 DTSTAMP:20260709T113716 CREATED:20250630T151559Z LAST-MODIFIED:20260113T130053Z UID:10000639-1774915200-1776815999@bigarts.org SUMMARY:Intermediate Pottery Wheel 102 - March 2026 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/pottery-wheel-102-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Tim-Smith-Tuesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260330 DTEND;VALUE=DATE:20260421 DTSTAMP:20260709T113716 CREATED:20250701T173042Z LAST-MODIFIED:20260326T124039Z UID:10000666-1774828800-1776729599@bigarts.org SUMMARY:BEGINNING HAND-BUILDING 101 - March\, Mondays DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/handbuilding-101-mondays-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Mondays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260330 DTEND;VALUE=DATE:20260421 DTSTAMP:20260709T113716 CREATED:20250630T135419Z LAST-MODIFIED:20260213T143334Z UID:10000634-1774828800-1776729599@bigarts.org SUMMARY:Beginning Pottery Wheel 101 - March 2026 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/pottery-wheel-101-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Tim-Smith-Mondays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260320 DTEND;VALUE=DATE:20260411 DTSTAMP:20260709T113716 CREATED:20250926T131403Z LAST-MODIFIED:20260316T144537Z UID:10000713-1773964800-1775865599@bigarts.org SUMMARY:THE ART OF PRINTMAKING #2 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/the-art-of-printmaking-2/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/09/Printmaking-NEWER-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260319 DTEND;VALUE=DATE:20260427 DTSTAMP:20260709T113716 CREATED:20250708T174803Z LAST-MODIFIED:20250904T132150Z UID:10000681-1773878400-1777247999@bigarts.org SUMMARY:The Profound Drama of the Ordinary - René Miville DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/rene-miville/ CATEGORIES:Fine Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Rene-Miville.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260126 DTEND;VALUE=DATE:20260421 DTSTAMP:20260709T113716 CREATED:20250708T181202Z LAST-MODIFIED:20260121T180016Z UID:10000685-1769385600-1776729599@bigarts.org SUMMARY:Oracle - Ebenezer Leyva DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/ebenezer-leyva/ CATEGORIES:Fine Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Ebenezer.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20251101 DTEND;VALUE=DATE:20260701 DTSTAMP:20260709T113716 CREATED:20250708T181732Z LAST-MODIFIED:20251024T202907Z UID:10000686-1761955200-1782863999@bigarts.org SUMMARY:I Am My Home - Mariapia Malerba DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/mariapia-malerba/ CATEGORIES:Fine Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/MariaPia.jpg END:VEVENT END:VCALENDAR