BEGIN:VCALENDAR VERSION:2.0 PRODID:-//BIG ARTS of Sanibel - ECPv6.2.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:BIG ARTS of Sanibel X-ORIGINAL-URL:https://bigarts.org X-WR-CALDESC:Events for BIG ARTS of Sanibel REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20260305 DTEND;VALUE=DATE:20260327 DTSTAMP:20260430T090014 CREATED:20250623T150829Z LAST-MODIFIED:20260213T142810Z UID:10000605-1772668800-1774569599@bigarts.org SUMMARY:Glass Fused Art - Thurs\, March DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/glass-fusing-thursdays-march/ CATEGORIES:Glass Fusing ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Kaiser-March.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260309 DTEND;VALUE=DATE:20260311 DTSTAMP:20260430T090014 CREATED:20250623T165035Z LAST-MODIFIED:20260213T142521Z UID:10000611-1773014400-1773187199@bigarts.org SUMMARY:Alcohol Ink Artistry DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/alcohol-ink-artistry-2026/ CATEGORIES:Fine Craft ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Lanza-MAR.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260309T190000 DTEND;TZID=America/New_York:20260309T190000 DTSTAMP:20260430T090014 CREATED:20251104T154500Z LAST-MODIFIED:20251104T160418Z UID:10000719-1773082800-1773082800@bigarts.org SUMMARY:Marty Supreme DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/marty-supreme/ CATEGORIES:Film Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/11/Marty-Supreme-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260312T193000 DTEND;TZID=America/New_York:20260312T193000 DTSTAMP:20260430T090014 CREATED:20250609T194244Z LAST-MODIFIED:20260303T143314Z UID:10000583-1773343800-1773343800@bigarts.org SUMMARY:Alexander Malofeev DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/alexander-malofeev/ CATEGORIES:Performing Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Alexander-Malofeev.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260314T193000 DTEND;TZID=America/New_York:20260314T193000 DTSTAMP:20260430T090014 CREATED:20250609T195746Z LAST-MODIFIED:20260219T144816Z UID:10000584-1773516600-1773516600@bigarts.org SUMMARY:Big Top Betty DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/big-top-betty/ CATEGORIES:Performing Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Big-Top-Betty.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260316 DTEND;VALUE=DATE:20260318 DTSTAMP:20260430T090014 CREATED:20250623T165429Z LAST-MODIFIED:20260213T142530Z UID:10000612-1773619200-1773791999@bigarts.org SUMMARY:Colorful Baskets DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/colorful-baskets/ CATEGORIES:Fine Craft ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Damandl-MAR.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260316T190000 DTEND;TZID=America/New_York:20260316T190000 DTSTAMP:20260430T090014 CREATED:20251229T182854Z LAST-MODIFIED:20251229T184329Z UID:10000736-1773687600-1773687600@bigarts.org SUMMARY:No Other Choice DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/no-other-choice/ CATEGORIES:Film Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/12/No-Other-Choice-Sized-for-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260318T193000 DTEND;TZID=America/New_York:20260318T193000 DTSTAMP:20260430T090014 CREATED:20251126T171404Z LAST-MODIFIED:20260316T151346Z UID:10000726-1773862200-1773862200@bigarts.org SUMMARY:Dr. Peter R. Mouton DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/dr-peter-r-mouton/ LOCATION:BIG ARTS Sanibel\, 900 Dunlop Rd\, Sanibel\, FL\, 33957\, United States CATEGORIES:"Conversations" Speaker Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/08/UPDATE-Mouton-Headshot.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260319 DTEND;VALUE=DATE:20260427 DTSTAMP:20260430T090014 CREATED:20250708T174803Z LAST-MODIFIED:20250904T132150Z UID:10000681-1773878400-1777247999@bigarts.org SUMMARY:The Profound Drama of the Ordinary - René Miville DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/rene-miville/ CATEGORIES:Fine Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Rene-Miville.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260319T193000 DTEND;TZID=America/New_York:20260319T193000 DTSTAMP:20260430T090014 CREATED:20260305T222535Z LAST-MODIFIED:20260306T145930Z UID:10000748-1773948600-1773948600@bigarts.org SUMMARY:Ambassador Peter Galbraith DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/ambassador-peter-galbraith/ LOCATION:BIG ARTS Sanibel\, 900 Dunlop Rd\, Sanibel\, FL\, 33957\, United States CATEGORIES:"Conversations" Speaker Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2026/03/Galbraith-Headshot.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260320 DTEND;VALUE=DATE:20260411 DTSTAMP:20260430T090014 CREATED:20250926T131403Z LAST-MODIFIED:20260316T144537Z UID:10000713-1773964800-1775865599@bigarts.org SUMMARY:THE ART OF PRINTMAKING #2 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/the-art-of-printmaking-2/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/09/Printmaking-NEWER-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260321T193000 DTEND;TZID=America/New_York:20260321T193000 DTSTAMP:20260430T090014 CREATED:20250609T200357Z LAST-MODIFIED:20260304T200902Z UID:10000585-1774121400-1774121400@bigarts.org SUMMARY:Brothers Doobie DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/brothers-doobie/ CATEGORIES:Performing Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Brothers-Doobie.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260323T100000 DTEND;TZID=America/New_York:20260323T160000 DTSTAMP:20260430T090014 CREATED:20250722T124626Z LAST-MODIFIED:20260213T142313Z UID:10000692-1774260000-1774281600@bigarts.org SUMMARY:Fluid Fusion DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/fluid-fusion/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/DeCaro-March.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260323T190000 DTEND;TZID=America/New_York:20260323T190000 DTSTAMP:20260430T090014 CREATED:20260123T144207Z LAST-MODIFIED:20260320T195544Z UID:10000744-1774292400-1774292400@bigarts.org SUMMARY:Sound of Falling DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/sound-of-falling/ CATEGORIES:Film Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2026/01/Sound-of-Falling-NEW.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260324T100000 DTEND;TZID=America/New_York:20260324T130000 DTSTAMP:20260430T090014 CREATED:20250623T164112Z LAST-MODIFIED:20260213T142537Z UID:10000610-1774346400-1774357200@bigarts.org SUMMARY:Tape it Up: Shellfolk - Snail Sculpting DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/tape-it-up-snail-sculpting/ CATEGORIES:Fine Craft ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Ocasio-MAR.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260325T190000 DTEND;TZID=America/New_York:20260325T190000 DTSTAMP:20260430T090014 CREATED:20240729T232841Z LAST-MODIFIED:20260309T135703Z UID:10000515-1774465200-1774465200@bigarts.org SUMMARY:BIG ARTS COMMUNITY CHORUS & BIG ARTS CONCERT BAND - Spring Performance DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/chorus-band-spring-performance/ CATEGORIES:Community Engagement,Spring Delight ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2024/07/Chorus-Band-Spring-Concert.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260327T100000 DTEND;TZID=America/New_York:20260327T130000 DTSTAMP:20260430T090014 CREATED:20250623T182737Z LAST-MODIFIED:20260213T142236Z UID:10000619-1774605600-1774616400@bigarts.org SUMMARY:Zentangle Drawing 2026 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/zentangle-drawing-2026/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Cole-MAR.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260327T193000 DTEND;TZID=America/New_York:20260327T193000 DTSTAMP:20260430T090014 CREATED:20250512T154127Z LAST-MODIFIED:20260210T130155Z UID:10000572-1774639800-1774639800@bigarts.org SUMMARY:Jazz at Lincoln Center Presents DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/great-american-crooners/ CATEGORIES:Performing Arts ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/05/JALC.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260330 DTEND;VALUE=DATE:20260421 DTSTAMP:20260430T090014 CREATED:20250630T135419Z LAST-MODIFIED:20260213T143334Z UID:10000634-1774828800-1776729599@bigarts.org SUMMARY:Beginning Pottery Wheel 101 - March 2026 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/pottery-wheel-101-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Tim-Smith-Mondays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260330 DTEND;VALUE=DATE:20260421 DTSTAMP:20260430T090014 CREATED:20250701T173042Z LAST-MODIFIED:20260326T124039Z UID:10000666-1774828800-1776729599@bigarts.org SUMMARY:BEGINNING HAND-BUILDING 101 - March\, Mondays DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/handbuilding-101-mondays-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Mondays.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260330T190000 DTEND;TZID=America/New_York:20260330T190000 DTSTAMP:20260430T090014 CREATED:20251229T183217Z LAST-MODIFIED:20251229T184418Z UID:10000737-1774897200-1774897200@bigarts.org SUMMARY:Peter Hujar's Day DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/peter-hujars-day/ CATEGORIES:Film Series ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/12/Peter-Hujars-Day-Sized-for-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260331 DTEND;VALUE=DATE:20260422 DTSTAMP:20260430T090014 CREATED:20250630T151559Z LAST-MODIFIED:20260113T130053Z UID:10000639-1774915200-1776815999@bigarts.org SUMMARY:Intermediate Pottery Wheel 102 - March 2026 DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/pottery-wheel-102-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Tim-Smith-Tuesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260331 DTEND;VALUE=DATE:20260422 DTSTAMP:20260430T090014 CREATED:20250701T174745Z LAST-MODIFIED:20260113T130111Z UID:10000669-1774915200-1776815999@bigarts.org SUMMARY:BEGINNING HAND-BUILDING 101 - March\, Tuesdays DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/handbuilding-101-tuesdays-march/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Tuesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260401 DTEND;VALUE=DATE:20260423 DTSTAMP:20260430T090014 CREATED:20250623T151240Z LAST-MODIFIED:20260213T142817Z UID:10000606-1775001600-1776902399@bigarts.org SUMMARY:Glass Fused Art - Wed\, April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/glass-fusing-april/ CATEGORIES:Glass Fusing ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Kaiser-April.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260401 DTEND;VALUE=DATE:20260423 DTSTAMP:20260430T090014 CREATED:20250701T180549Z LAST-MODIFIED:20260330T120732Z UID:10000672-1775001600-1776902399@bigarts.org SUMMARY:INTERMEDIATE & ADVANCED POTTERY - wednesdays\, april DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/intermediate-advanced-pottery-wednesdays-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Kim-Tetmyer-Wednesdays.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260402 DTEND;VALUE=DATE:20260417 DTSTAMP:20260430T090014 CREATED:20260310T114908Z LAST-MODIFIED:20260316T145102Z UID:10000749-1775088000-1776383999@bigarts.org SUMMARY:Exploring Watercolor Painting - April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/exploring-watercolor-painting-april/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Krchmar-FEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260402 DTEND;VALUE=DATE:20260424 DTSTAMP:20260430T090014 CREATED:20250701T182120Z LAST-MODIFIED:20260213T143623Z UID:10000675-1775088000-1776988799@bigarts.org SUMMARY:INTERMEDIATE & ADVANCED POTTERY - thursdays\, april DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/intermediate-advanced-pottery-thursdays-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Tetmyer-NEW.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260402T160000 DTEND;TZID=America/New_York:20260402T180000 DTSTAMP:20260430T090014 CREATED:20250620T132947Z LAST-MODIFIED:20260213T142824Z UID:10000592-1775145600-1775152800@bigarts.org SUMMARY:April Wine & Paint Mixer DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/april-wine-paint-mixer/ CATEGORIES:Wine & Art MIXERS ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Janku-Apr.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260403 DTEND;VALUE=DATE:20260418 DTSTAMP:20260430T090014 CREATED:20250630T175737Z LAST-MODIFIED:20260213T143639Z UID:10000654-1775174400-1776470399@bigarts.org SUMMARY:Ceramics Open Studio - April DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/ceramics-open-studio-april/ CATEGORIES:Pottery ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/06/Open-Studios.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260406 DTEND;VALUE=DATE:20260408 DTSTAMP:20260430T090014 CREATED:20250708T134034Z LAST-MODIFIED:20260213T142504Z UID:10000676-1775433600-1775606399@bigarts.org SUMMARY:Abstract Watercolor & Collage DESCRIPTION:Image Title: Caught \n \n \n \n Artist Reception: Friday\, March 20\, 2026\, 5:00 PM Miville\, an innovator in the process of chemical manipulation using the classic darkroom printing method\, created a substantial body of work in the late 1980s and early 1990s\, at the dawn of digital photography. Each work consists of silver gelatin-paper with the basic chemical elements of developer\, stop\, and fixer applied; a pure photograph as we know one. However\, he painted the chemistry on the photo paper. Miville’s opposing aesthetic journey sparked a vigorous curiosity and interest among museum curators and international collectors. LEARN MORE URL:https://bigarts.org/event/abstract-watercolor-and-collage/ CATEGORIES:Fine Art ATTACH;FMTTYPE=image/jpeg:https://bigarts.org/wp-content/uploads/2025/07/Fausel-APR.jpg END:VEVENT END:VCALENDAR